Progress: Chapters 16-30 Best Matches

 I think it’s time for another list of favorite matches, wouldn’t you say? Let’s break down the best matches (in my humble opinion) from chapters 16-30! Keep an eye out for our favorites from 31-45 in April, and expect an overall best of list in May!

Chapter 17: Zach Gibson vs. Flash Morgan Webster in the 2nd Natural Progression Final

The rivalry that exists between Zach Gibson and Flash Morgan Webster is brilliant. It’s full of tension and aggression, but also showcases both of their talents beautifully. By the time we see them challenging Will Ospreay for the Progress Championship in Chapter 24, they have both become fan favorites, as babyface and heel.

Chapter 19: The London Riots vs. Jimmy Havoc & Paul Robinson

This match included so much great callback stuff from the course of the Havoc title run, that it would be IMPOSSIBLE for me not to love it. Marry it with all of the hard work from the London Riots after their big return at Chapter 18, and naturally it’s going to make my top 3 matches of all of Progress – if not all time.

Chapter 19: Jinny vs. Pollyanna (No DQ)

The first time we EVER get a women’s match on a Chapter show at Progress, it is a No DQ match, and the payoff from an incredible stretch of storytelling from Jinny, Elizabeth, and Pollyanna. Not only do these women prove they BELONG on the main show, they prove that women can steal the show – and hang with even the most sick and twisted of the gentlemen.

Chapter 20: Jimmy Havoc vs. Will Ospreay (Progress Championship)

It would be foolish of me not to include what might be the greatest, most cathartic title change in the history of Progress. Jimmy Havoc as the finally-conquered Big Bad and Will Ospreay as the Boy King are two monumental characters that will never be topped. This is Progress, for sure.

Chapter 21: Jimmy Havoc vs. Paul Robinson (No DQ)

I have a hard time believing there will ever be a match I love more than this one. Not just in Progress, but in all of wrestling. Fair warning – this No DQ match quickly becomes a deathmatch and features the most blood out of all 30 of the chapters I’ve watched so far. But it also features just as much catharsis as the Havoc/Ospreay match from 20, and the Riots/Havoc/Robinson match from 19 – only in a different way. This one is the punctuation on the end of the Havoc storyline, and leaves us waiting to see where it will all go from here.

Chapter 25: Will Ospreay vs. Marty Scurll (Progress Championship)

This was a match that I IMMEDIATELY wanted to watch again as soon as it ended. While it didn’t feature a moment of catharsis the way some of my other favorites do, it DOES feature the crux of the Villain character, as he ascends to his first Progress title win. He also cements himself as a different heel from Jimmy Havoc, and the Reign of the Villain begins.

Chapter 26: South Pacific Power Couple vs. Flash Morgan Webster & Pollyanna

It’s no secret to anyone who reads this blog or follows me on twitter that I am a huge supporter of inter-gender wrestling. This match not only elevates the South Pacific Power Couple by showing they can hang with the likes of Flash Morgan Webster and Pollyanna, but also is a wonderful example of how powerful inter-gender matches can be. There is some beautiful storytelling in this match, and some really stunning tag work from Dahlia Black and TK Cooper, in particular.

Chapter 28: Marty Scurll vs. Tommy End

How do you find an opponent for an unbeatable villain? You separate a very scary man from his tag partner, and then give him a chance to show what he can do without the title on the line. While the story of Tommy vs Marty progresses, we are also reminded of what a strong singles competitor Tommy is, and how close Marty can come to losing everything he worked so hard to steal.

Chapter 30: The Origin vs. The London Riots (Tag Team Championships)

Bet all your money that, should the London Riots be in a tag match of Day 1 at Super Strong Style 16 this year, they’re winning. After a tremendous showing rocking Havoc & Robinson at Chapter 19, they go on to have a tremendous, fun, and exciting match against The Origin that culminates in them winning the tag titles. It is well deserved and the perfect way to end Day 1.

Chapter 30: Chris Hero vs. Tommy End (Round 3)

“J, how could you not pick Chris Hero vs. Mark Andrews?” Chris vs. Mark is a GREAT match, no doubt. But Hero/End is everything I could ever want in a singles match. It’s violent as hell, stiffer than anything else on the card, and has so much emotion behind it because of their friendship that it’s hard not to stand and applaud, even in the comfort of your own home, when it’s all over. Now THAT is great wrestling.

– The Lady J Says

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Progress: The Art of the Babyface Turn

On my journey to watching all of the shows that Progress Wrestling in the UK has produced, I have hit a major turning point: I’ve just finished Chapter 20. If you HAVEN’T, stop reading now. Trust me – you want to experience this unspoiled.

 

After finishing the main event, and crying my eyes out (not an exaggeration – that was some serious emotional catharsis from a wrestling/storytelling perspective) I had pages upon pages of notes. My Facelock Feministas podcast co-host, Courtney, and I will talk about all of them, I’m sure, on the next episode. But there was one thing I’ve been turning over and over again in my head.

While a tremendous credit is owed to Jimmy Havoc for helming the storyline that played out from Chapter 2 to Chapter 20, as well as his opponent Will Ospreay (who remarkably ALSO debuted on Chapter 2) and Progress MC & co-owner Jim Smallman, there are a lot of supporting characters who played pivotal roles in the journey of the Progress title and, arguably, one of the best story arcs in independent wrestling. It featured some of the biggest names in wrestling today, like Marty Scurll and Zack Sabre Jr. It gave some of us foreigners a chance to fall in love with UK wrestlers we didn’t know as much about like Rampage Brown, Dave Mastiff, and Paul Robinson. It even gave me a window into guys I knew only a little about, like Noam Dar and Mark Andrews, and allowed me the chance to become a real fan of their work. But as someone who was guaranteed to develop an affinity for both Havoc and Ospreay as performers during this 18-chapter run, who thought she knew how she would feel when it was all “over”, it was The London Riots who stole my heart.

The London Riots ALSO debuted in Chapter 2, with a match against the Velocity Vipers (one of whom is a terribly young Will Ospreay). The Riots are two big guys with a powerful moveset and a mean streak a mile wide, something that doesn’t necessarily attract me as a fan when it comes to tag-team wrestling. (I am not, for example, terribly interested in The Authors of Pain or War Machine.) But two common threads that exists through all of the Progress roster – singles competitors and tag teams, both men and women alike – is their desire to put on a stellar, show-stealing performance and the stunning intelligence with which they approach wrestling. The London Riots are no exception to this rule, creating vicious, exciting matches that both infuriate fans and stimulate their imaginations. Their ability to wrestle any number of tag teams or singles competitors and routinely deliver some of the best tag matches I’ve ever had the privilege to watch is, therefore, not surprising in the least.

Rob Lynch and James Davis put their first-class abilities to good use during the story involving Jimmy Havoc and his run with the Progress title, though it’s entirely possible to push them from the forefront of your mind while you’re watching. This is not to say they are not incredible, or that they are unimportant, but rather that they seamlessly fold their gifts into the larger story. They enhance everything they touch without pulling focus, which is such a subtle nuance I struggle to find another instance of it in my wrestling lexicon that is remotely comparable. They start out as the Monster Heels of Progress, wrecking every tag team opponent the promotion throws at them. The fans boo them and turn their backs when they enter The Garage and Jim Smallman becomes increasingly more frustrated as he and his business partners search for a way to eliminate the Riots from their roster forever. Naturally, one way is to split them up, with Lynch losing a Last Man Standing match to Danny Garnell and James Davis being taken to his limit before eventually overcoming the still-babyface Jimmy Havoc. It is therefore all the more painful to see Havoc not only turn on the Progress team and its fanbase, but to align himself with these awful heels, whom the crowd thought were gone for good. When the London Riots lift Jimmy up onto their shoulders with the Progress title over his head, the temperature in the room seems to drop several degrees: a long, hard winter has set in at Progress.

Over the next five chapters, Havoc’s enforcers bring chaos wherever they go, including to the ENDVR shows, to rain suffering down on the likes of Eddie Dennis and the Bhangra Knights. Their enjoyment at assisting Havoc in causing chaos throughout Progress seems to abruptly halt when Jimmy brings a knife to a fist fight in order to torture Will Ospreay after the Riots beat Screw Indy Wrestling, Project Ego, and the Swords of Essex to become the number 1 contenders for the tag titles.

It is here you see a crack in the Riots’ facade – that Havoc is willing to go far past the kind of punishment the Riots are comfortable inflicting creates a separation between them, however subtle. It is therefore really no surprise when two chapters later we see Paul Robinson sacrifice James Davis in order to save Havoc and his title reign in a Career vs. Title match against Ospreay, Noam Dar, and team FSU. As the Riots stand over the Progress logo in the middle of the ring, that cold feeling suddenly dissipates and something shifts; they seem genuinely devastated to have to leave, and the crowd seems sorry to send them off. They may have been two of the biggest baddies in the promotion, but they still BELONG to the Progress crowd in a strange way. Davis and Lynch hesitate before heading up the steps to the exit and it’s hard not to feel that we’ve witnessed an important change.

Over the next three chapters, the tag titles move from FSU to The Faceless, and it seems clear that the Riots have left a sizable hole in the tag team division at Progress. Meanwhile, Havoc manages to retain his title against the likes of Rampage Brown, Dave Mastiff, Marty Scurll, Noam Dar, and even the chosen one of Progress, Will Ospreay. After winning a particularly nasty six-way match, Havoc by Morgan Webster that it’s always best to have an insurance policy.

Enter the London Riots.

This is one of the biggest pops I’ve ever heard from the Progress crowd while watching the shows on demand. The London Riots belong to this crowd. They have been with Progress since the beginning. They have bled and bumped and fought on to entertain these people, and now they truly are the Progress fans’ team. Jim Smallman welcomes them back with open arms, and announces that Havoc and his henchman Paul Robinson will face off against the Riots at the inaugural Super Strong Style 16 tournament.

The London Riots vs. Jimmy Havoc and Paul Robinson is my favorite match in Progress thus far, and might actually be my favorite match of all time. Seems a pretty lofty claim to make, but if you know anything regarding what I love most about wrestling, it doesn’t seem so strange at all. It’s one of the most brutal matches this side of hardcore that I’ve ever seen, which falls directly into my wheelhouse as a fan. In terms of storytelling and character work, though, it is completely brilliant. The London Riots might be the only comparable characters in Progress (up to this point) to Jimmy Havoc in terms of madness. Obviously, they draw a line far sooner than he does on what they think is fair play in terms of the sort of violence they inflict on others on the roster, but they are 100% willing to put their own bodies – their own well being – on the line in order to achieve their goal. Knowing that Jimmy has no limits is like being granted permission to forgo their own limits as well. They even take the time to work outside of their normal moveset, which feels like a nod at anyone who would ask “what have you two been doing the last three shows” because the answer is, of course, plotting revenge. When Rob Lynch uses an Acid Rainmaker on Havoc, it proves that they were paying attention when he was their leader, and that there is no one you want less as an enemy than someone who used to be your right hand man.

Five chapters earlier, Noam Dar showed us all that Jimmy Havoc was fallible. Even though he didn’t win the match, he got Havoc to tap out, and we all saw it. What the Riots proved was that somewhere deep down inside, the old Havoc – the one James Davis put away in a hardcore match back in Chapter 8 – still existed. He could be weakened, he could be surprised, and he could be defeated. It took two of them, their District Line finisher, and the cheers of 700 Progress fans but Havoc was pinned right there in the middle of the ring at the end of the match. The London Riots were heroes. They had widened the crack that had been created by Noam Dar and would eventually break Havoc in half thanks to Will Ospreay. When the Riots joined Ospreay at ringside for the main event of Chapter 20, you knew the end was near – Ospreay couldn’t beat Havoc alone, but he was flanked by the only two men who had managed the unthinkable since Havoc’s title reign began.

Heel turns are awesome. They can be a ton of fun to watch, and can create heroes out of mere men (i.e. Havoc & Ospreay). But if you want to see something truly amazing, take a heel that the crowd loves to hate, someone sick and twisted in their own rite, and find a way to turn them babyface. Watching a heel get his comeuppance is great fun. Watching a babyface finally receive the admiration from the crowd that they always deserved is even better.

Thank you, Riots, indeed.

– The Lady J Says

 

 

PROGRESS: Chapters 1 – 15 Top Matches

Courtney & I were talking on the podcast this week about our favorite matches so far. I feel like 15 is a point to pause and reflect on what we’ve seen so far. My original list of “top matches” was 27 matches long. The card with the MOST matches I loved was Chapter 11, for anyone curious. Here is my list, in no particular order. What are YOUR favorites?

Progress World Cup: Jimmy Havoc vs. Prince Devitt for the Progress Championship

This match was deliciously brutal. Tons of blood, but it was used in a way that was different from any of Jimmy’s other bloody matches. This was less about him being a hardcore wrestler and more about the gimmick Devitt was rocking this time around. It was an awesome sendoff to Devitt, too, who heads off to NXT the following month.

Chapter 5 – Nathan Cruz vs. Rampage Brown

This was really the first match during my Progress journey that absolutely floored me. I had been enjoying Cruz up to this point, but this match was so intense that afterwards I wanted to start it over and watch again. This was an amazing way to be introduced to Rampage Brown, as well.

Chapter 15: Pete Dunne vs. Flash Morgan Webster

Courtney and I talked at great length about this one on the podcast. It’s slightly easier to see the future Bruiserweight in Dunne here than in his first match, but him and Webster are such a great pairing. I hope they cross paths again in the future, as this match could’ve been an Iron Man and I’d have been thrilled.

Chapter 11: El Ligero vs. Noam Dar

Finally, the crowd loves Noam Dar. This is the third time we see these two face off, and it really is the best of their matches. In 2+ years, they both grew a bit and found their footing with the Progress audience, so this match connects in a way the first two fell short of. A thing of beauty.

Progress World Cup: Grado vs. Noam Dar in a Progress World Cup Tournament Round 1 match

Of all the comedy matches that Progress has done, this was my favorite. I liked that it was a tournament match so it had stakes. But it also had comedic psychology (??) in that they structured it around these WWE-mocking spots. Just beautiful.

Chapter 14: FSU vs. The London Riots for the Progress Tag Team Championship

Honestly, no other tag team match that Progress has done so far can touch this one. There was so much tension between the two teams – so much rage – that it was bound to be an explosion. I was glued to the screen the entire time, and it only enforced my love of both teams even more.

Chapter 7: Jimmy Havoc vs. Zack Sabre Jr. with Nigel McGuinness as a guest referee

Jimmy is endearing, funny, and a little nutty up to this point – this is really where you fall in love with him. You know from Chapter 1 that ZSJ is the real deal, so watching Jimmy really hang with him as the match goes on creates a deeper love for him as a fan. It makes what comes later even more painful.

Chapter 7: Will Ospreay vs. Mark Andrews in a Natural Progression Tournament Round 1 re-match

The first one of these was wonderful, but the rematch has such higher stakes that it’s hard for it NOT to top the original. Watching Andrews and Ospreay push themselves to their limits is overwhelming. Nothing beats Ospreay kicking out from a pinfall and screaming at Andrews “I AIN’T FUCKING LEAVING!”

Chapter 10 – Mark Andrews vs. Paul Robinson in the Natural Progression Tournament Final

Everything that comes after this match is like a baseball bat to the gut – just stunning and excruciating. But don’t let all that juicy storytelling overshadow that this is probably the very best match in a Progress ring up to this point. Andrews and Robinson move with ease together, and are even trying new things out for the Progress audience. With Dennis and Ospreay in the audience, the emotion is turned up even more.

Chapter 9 – Ricochet vs. Mark Haskins vs. Zack Sabre Jr.

This is the only time I’ve felt a strong connection to Haskins, and that’s mostly due to his willingness to bump for Ricochet and ZSJ. I love how different their styles are, too, and yet how well they all blend together in this match. Triple threats can be a clusterfuck if not properly planned and executed – this is how you do a triple threat match well.

– The Lady J Says

 

PROGRESS: Watch Me Burn

So, I finally got to “That Part”.

Knowing that I had already expressed an appreciation for the character of Jimmy Havoc, many of the individuals who’d already experienced all of PROGRESS to date were eagerly anticipating my watching Chapters 9 and 10 over the past week. I don’t think they were disappointed by my live Twitter reactions in the moment as the major story that ends PROGRESS’s 2013 year unfolded before me. I was genuinely surprised, even though everyone had clearly provided me with signs that something big was coming.

Once Chapter 10 was closed, and the corresponding episode of Facelock Feministas was recorded, I had some time to digest what I had seen and how I really felt about it. Unpacking your feelings about wrestling never gets easier, no matter how long you’ve been watching it or how much of it you’ve seen. If anything, it gets more complicated as you become more honest with yourself. Perhaps that’s also a sign of age – a willingness to see even the ugly parts of yourself reflected back at you in your favorite art form, and forcing yourself to confront those things head on.

Before I go any further, I have two requests for you, dear reader. First, make sure you’ve actually WATCHED the first 10 chapters of PROGRESS, or I’m about to ruin the whole thing for you. Second, watch this video. It really helped to put some things in perspective for me, and I can tell you right now, it’s going to color the way I watch the rest of this story unfold in a major way.

Going into this experience of watching all of PROGRESS, I promised myself I would make a concerted effort to watch everything – all of the matches, all of the promos, any content PROGRESS provided via their On Demand service, I would consume. That meant seeing where my limit was when it came to Havoc’s hardcore matches. I was always fascinated by this kind of match, but assumed my own usual physical response to the sight of blood (light-headedness and fainting) meant it wouldn’t be possible to watch all the way through. And yet two hardcore matches have occurred so far, and I’ve watched them both completely. Perhaps a debt is owed to Lucha Underground for desensitizing me to blood, or at least for helping me to understand blood is a tool in the wrestling world, and if used properly it can enhance the telling of a story.

The story in question is not hard to follow. Havoc’s character is a weirdo, an outcast at the start. He’s a hardcore wrestler who wants to get involved at PROGRESS, so he has to prove that he can work the style of the promotion. Even though he doesn’t win his matches, each time he steps into the ring the crowd is fully behind him. Each match is a thing of beauty, each opponent elevated for having worked with him. When a real problem threatens PROGRESS, the existence of the London Riots and the mayhem they bring with them, Havoc is put into a hardcore match with one of their members to teach them a lesson. Let them step into the ring with someone who takes great enjoyment in causing them pain. In the end it’s Jimmy who takes a brunt of the force and ends up losing the match – yet again. So when he finally has had enough and unloads on Jim Smallman in Chapter 9, it’s really not that shocking. What is really amazing, though, is the promo he cuts on Smallman, and everyone in charge at PROGRESS. He goes on to make good on his threat of doing what he wants in Chapter 10, cashing in his contract for a match with an opponent and a stipulation of his choosing against then-champion Mark Andrews, and winning both his first match for the promotion and the PROGRESS title in the process.

While watching the YouTube video that summarizes this story and Havoc’s first two years at PROGRESS, it suddenly occurred to me why I don’t hate this heel version of Jimmy Havoc, but rather adore him. It’s so simple, I’m surprised it required any ‘unpacking’ at all, really: you can’t shame someone for being different and then try to capitalize on the thing that sets them apart from you and not expect to be burned for it.

Any marginalized group of people can tell you this story. There’s so many variations on it, the fact that it took this long to figure out what a wrestling version of it would be is the only thing shocking about it. I deal with it within our wrestling community every day, and I’m sure many other writers who are women, people of color, or LGBTQ can tell you the same thing. Day after day we get passed over or considered less-than because we aren’t white males with a specific perspective on wrestling. We’re mocked, we’re trolled, and then when publications find out they need a more diverse writing team, we’re absolutely bombarded with requests for work. Unpaid of course, but it’ll be good for exposure. The same thing happens from the outside looking into the wrestling world, too. Reputable publications never want to be pitched for pieces even in the vicinity of the professional wrestling world, but the second something “newsworthy” happens involving someone with the last name of McMahon, my inbox is full of requests (again, unpaid) because they know my turnover is quick and I know what I’m talking about.

“Fix our problem, but know that we think your art form is still illegitimate.”

Pink chair shots all around, absolutely.

So it turns out that it’s not Jimmy Havoc’s dark eyeliner or his Doc Martens or his love of AFI that makes me his fan. It’s the story. It’s him taking back control not only of his career in PROGRESS, but who validates him as a performer – who gives what he does meaning. He becomes powerful simply by being undeniable and being true to himself. He reclaims his mean streak and, as a result, takes his rightful place at the top of PROGRESS. Sure, in the world of pro wrestling storytelling, Jimmy Havoc is a bad guy – a heel. He beat up one of the promoters, someone who wasn’t prepared (nor should have to be) to defend himself. He poured lighter fluid on a wrestler who’d just wrestled two matches and won his first championship. But he’s also probably one of the most honest characters you’ll see in the wrestling world’s modern age.

“I’m going to do what I want to do,” he says over Smallman’s beaten form, splayed out on the canvas.

I hope you do, Jimmy. I hope we all do.

The Lady J Says